William Rivers Pitt, Truthout:
"All across America, there are classrooms filled with fifth graders who only know the World Trade Center from pictures. They have achieved the final perfection of George Orwell's vision - we have always been at war with Eurasia - because they have never known a world where their country has not been at war in Iraq and Afghanistan. As with the Towers, some of these children only know a parent from pictures, because that parent was killed in those wars. They know what anthrax is, what an IED is, what WMD stands for. They know about fear, for it was fed to them, literally, with mother's milk. For them, it has always been this way."
Read the Article
Showing posts with label 9/11. Show all posts
Showing posts with label 9/11. Show all posts
Sunday, September 11, 2011
9/11: How I Lost the Country I Used to Know and the Person I Used To Be
On September 11, 2001, I was lucky. I didn't lose anybody close to me -- except my country and the person I had been before.
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A Decade After 9/11: We Are What We Loathe
By Chris Hedges
I arrived in Times Square around 9:30 on the morning of Sept. 11, 2001. A large crowd was transfixed by the huge Jumbotron screens. Billows of smoke could be seen on the screens above us, pouring out of the two World Trade towers. Two planes, I was told by people in the crowd, had plowed into the towers. I walked quickly into the New York Times newsroom at 229 W. 43rd St., grabbed a handful of reporter’s notebooks, slipped my NYPD press card, which would let me through police roadblocks, around my neck, and started down the West Side Highway to the World Trade Center. The highway was closed to traffic. I walked through knots of emergency workers, police and firemen. Fire trucks, emergency vehicles, ambulances, police cars and rescue trucks idled on the asphalt.
The south tower went down around 10 a.m. with a guttural roar. Huge rolling gray clouds of noxious smoke, dust, gas, pulverized concrete, gypsum and the grit of human remains enveloped lower Manhattan. The sun was obscured. The north tower collapsed about 30 minutes later. The dust hung like a shroud over Manhattan.
I headed toward the spot where the towers once stood, passing dazed, ashen and speechless groups of police officers and firefighters. I would pull out a notebook to ask questions and no sounds would come out of their mouths. They forlornly shook their heads and warded me away gently with their hands. By the time I arrived at Ground Zero it was a moonscape; whole floors of the towers had collapsed like an accordion. I pulled out pieces of paper from one floor, and a few feet below were papers from 30 floors away. Small bits of human bodies—a foot in a woman’s shoe, a bit of a leg, part of a torso—lay scattered amid the wreckage.
Scores of people, perhaps more than 200, pushed through the smoke and heat to jump to their deaths from windows that had broken or they had smashed. Sometimes they did this alone, sometimes in pairs. But it seems they took turns, one body cascading downward followed by another. The last acts of individuality. They fell for about 10 seconds, many flailing or replicating the motion of swimmers, reaching 150 miles an hour. Their clothes and, in a few cases, their improvised parachutes made from drapes or tablecloths shredded. They smashed into the pavement with unnerving, sickening thuds.
Thump. Thump. Thump. Those who witnessed it were particularly shaken by the sounds the bodies made on impact.
The images of the “jumpers” proved too gruesome for the TV networks. Even before the towers collapsed, the falling men and women were censored from live broadcasts. Isolated pictures appeared the next day in papers, including The New York Times, and then were banished. The mass suicide, one of the most pivotal and important elements in the narrative of 9/11, was expunged. It remains expunged from public consciousness.
Read more
I arrived in Times Square around 9:30 on the morning of Sept. 11, 2001. A large crowd was transfixed by the huge Jumbotron screens. Billows of smoke could be seen on the screens above us, pouring out of the two World Trade towers. Two planes, I was told by people in the crowd, had plowed into the towers. I walked quickly into the New York Times newsroom at 229 W. 43rd St., grabbed a handful of reporter’s notebooks, slipped my NYPD press card, which would let me through police roadblocks, around my neck, and started down the West Side Highway to the World Trade Center. The highway was closed to traffic. I walked through knots of emergency workers, police and firemen. Fire trucks, emergency vehicles, ambulances, police cars and rescue trucks idled on the asphalt.
The south tower went down around 10 a.m. with a guttural roar. Huge rolling gray clouds of noxious smoke, dust, gas, pulverized concrete, gypsum and the grit of human remains enveloped lower Manhattan. The sun was obscured. The north tower collapsed about 30 minutes later. The dust hung like a shroud over Manhattan.
I headed toward the spot where the towers once stood, passing dazed, ashen and speechless groups of police officers and firefighters. I would pull out a notebook to ask questions and no sounds would come out of their mouths. They forlornly shook their heads and warded me away gently with their hands. By the time I arrived at Ground Zero it was a moonscape; whole floors of the towers had collapsed like an accordion. I pulled out pieces of paper from one floor, and a few feet below were papers from 30 floors away. Small bits of human bodies—a foot in a woman’s shoe, a bit of a leg, part of a torso—lay scattered amid the wreckage.
Scores of people, perhaps more than 200, pushed through the smoke and heat to jump to their deaths from windows that had broken or they had smashed. Sometimes they did this alone, sometimes in pairs. But it seems they took turns, one body cascading downward followed by another. The last acts of individuality. They fell for about 10 seconds, many flailing or replicating the motion of swimmers, reaching 150 miles an hour. Their clothes and, in a few cases, their improvised parachutes made from drapes or tablecloths shredded. They smashed into the pavement with unnerving, sickening thuds.
Thump. Thump. Thump. Those who witnessed it were particularly shaken by the sounds the bodies made on impact.
The images of the “jumpers” proved too gruesome for the TV networks. Even before the towers collapsed, the falling men and women were censored from live broadcasts. Isolated pictures appeared the next day in papers, including The New York Times, and then were banished. The mass suicide, one of the most pivotal and important elements in the narrative of 9/11, was expunged. It remains expunged from public consciousness.
Read more
Imperial Delusions: Ignoring the Lessons of 9/11
by Robert Jensen
Ten years ago, critics of America’s mad rush to war were right, but it didn’t matter.
Within hours after the 9/11 terrorist attacks, it was clear that political leaders were going to use the attacks to justify war in Central Asia and the Middle East. And within hours, those of us critical of that policy began to offer principled and practical arguments against aggressive war as a response to the crimes.
It didn’t matter because neither the public nor policymakers were interested in principled or practical arguments. People wanted revenge, and the policymakers seized the opportunity to use U.S. military power. Critical thinking became a mark not of conscientious citizenship but of dangerous disloyalty.
We were right, but the wars came.
Read more
Ten years ago, critics of America’s mad rush to war were right, but it didn’t matter.
Within hours after the 9/11 terrorist attacks, it was clear that political leaders were going to use the attacks to justify war in Central Asia and the Middle East. And within hours, those of us critical of that policy began to offer principled and practical arguments against aggressive war as a response to the crimes.
It didn’t matter because neither the public nor policymakers were interested in principled or practical arguments. People wanted revenge, and the policymakers seized the opportunity to use U.S. military power. Critical thinking became a mark not of conscientious citizenship but of dangerous disloyalty.
We were right, but the wars came.
Read more
The Twin Towers on the big screen
Twin Tower Cameos from Dan Meth on Vimeo.
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