Bob Dylan’s latest album, “Together Through Life” (Columbia), is the work of an artist who knows exactly what he wants to say, and how. He makes art that sounds like a conversation, like friends gathered in a room swapping stories with words and music.
“Together Through Life” marks Dylan’s third self-produced studio release in a row recorded with his road band, each increasingly modest and low-key. Like its predecessors, “Modern Times” (2006) and “Love and Theft” (2001), it presents Dylan’s wreck of a voice in a remarkably warm light. Dylan can’t hit the notes – high, low or in-between – but it almost doesn’t matter.
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